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SAIL Photography by Shoda Masahiro

SAIL Photography by Masahiro Shoda

2023.09.25

Inspiration when creating works

Since 2013, I've been working on a project called "Warai no Sanmyaku" (Mountain Range of Laughter) for eight years. It's a series of portraits centered around comedians' gags. When I returned to Japan after living in New York for about three years, I saw Tani Kei in a magazine and thought, "I want to photograph him." I remembered that his signature gag was "Gachoーン," but then he passed away about half a year later. I regretted not being able to meet him and wishing I could have captured "Gachoーン" in a photograph. So, I started this project to preserve famous gags in photographs. It's truly a project where many comedians have collaborated, and it's amazing how they dedicate their lives to making people laugh by valuing a single gag. I learned a lot by reflecting on myself as a photographer.

For me, it's rare to have a sudden, intuitive flash of inspiration when creating a new work. Of course, I still enjoy looking at photo books and exhibitions, but it's almost never a direct source of inspiration like it was when I was in my twenties and thirties and immersed myself in photo books. However, sometimes when I'm looking at various information on my smartphone, I experience a simple misperception, like "Huh? I thought I saw it like this a moment ago." I'm often surprised by these errors and misunderstandings. Rather than inspiration, I find such misperceptions interesting.

Lately, I sometimes use Chat GPT. More precisely, rather than "using" it, for example, when I'm creating a photo book, I might have difficulty articulating my thoughts, but I feel that if I can articulate them, the work will be stronger. So, I consider it a conversational partner, explaining my vague ideas to it. Currently, AI generation seems to be quite "ordinary," and it tends to give general answers. In a way, I feel that it challenges the quality of the words I input. Ultimately, I think it depends on my language ability, so I plan to experiment with it a bit more. However, I'm very positive about the idea that it could become a partner to add strength to my work.

I want to create a set like "a good shop"

Currently, I'm often involved in advertising projects, and what I always keep in mind when working is to ensure that the sets in the studio are meticulously arranged. I also want the subjects to feel comfortable, and I want to create something that clients will think is a good photograph. Each time, I hope the photoshoot will be a memorable experience for everyone. In an era where AI can generate many images, it's important that when people gather for a photoshoot, it's a "good day" for everyone involved. In a way, it's like a shop experience. It would be wonderful if everyone could leave feeling, "Ah, I came to a good shop," and "I want to come again."

7 Things I've Been Interested In Lately

1. Interesting movie
"Asteroid City" (Directed by Wes Anderson)
2. Music I often listen to
DOMi & JD BECK
3. Favorite books
Chiba Masaya's "Introduction to Contemporary Philosophy"
Shibata Shoten's "Research on Dashi"
4. Artist I'm paying attention to
Shohei Takasaki
5. Favorite place
Bistro "Quirit Guerit" counter
6. Recent purchases
Yoshihiko Ueda's photo, Marcel Breuer's chair,
Nanami Inoue's painting, BONIQ low-temperature cooker, ice bag
7. Photography equipment I'm interested in
Aputure Electro Storm XT26
Interview: Shiho Nakamura

Born in 1982. Graduated from Keio University, Faculty of Letters, Department of Aesthetics and Art History. After majoring in Fine Art at Goldsmiths, University of London, she completed her master's in Media Studies. After working in the editorial departments of "Bijutsu Techo" and "ARTnews JAPAN," she became a freelance editor and writer.